Pictures of a 1938 model wlower stack stopper that were the posts No pant guard.

I personally think that Conn imported this body from France, but no body markings or other information is known, thus highly doubtful.

But if you ever get a chance to play one of these horns do it, you will not be disappointed by the huge tone.

Because of this, it is to be used as a guide or rough estimate of when a King or Cleveland model instrument was manufactured.

It does not pertain to those models which were marketed under the Gladiator, American Standard, or other trademarks.

Super 20s were made with brazed-on toneholes until the early 1970s (the same way Martins were).

This allowed the metal thickness to be uniformed for each tone hole and now thinness in the body tubes.

These later horns apparently sounded much different from earlier models and have a brighter tone.

After which they struck out on their own in 1904 and founded The Martin Band Instrument Company.

And in 1871 he moved to Elkhart, Indiana and became one of the original workers, the 6th employee, to work for C.G.

Conn.

The toneholes were fairly thick compared to regular drawn toneholes and they were also beveled.

The horns are best repadded with rivet or rivetless pads for a smooth darker tone.

Very little is really known about it other than it was sprinkled throughout a few years Handcraft production.

No Eb vent key. Considered a non-pro alternative such as the Yamaha 62 versus the Yamaha 875.

In 1971 LeBlanc purchased the rights to Martin and resold Yanigasawa saxophones under the Martin brand.

Early models had minimal engraving whereas later models had fairly significant and decorative engraving.

LH bell keys, wire guards, multi-wire bell brace, wire bow key guards.

This horn had a small bore which, theoretically, suited the style of music in the early 1900s.

The early models had no high F key and were keyed to high Eb.

Interestingly enough some had double octave mechanisms while other only went down to low B.

Interestingly enough, the early Model 22s had the Right Hand Trill G and other interesting alternative keywork.

They were all stamped with the Henri Selmer Signature and with the address 4 Place Dancourt Paris.

Left hand table keys were mk VI soprano type with a round pearl G.

The Bell was inline (most saxophones of this era were inline).

Bundy Selmer Clarinet Serial Number Chart